The technique of "category A festival" is just not formally defined, but there are numerous ways prestigious international shows using a non-specialized competitive program are traditionally called.













Most of the major and prestigious film festivals are accredited from the International Federation of Film Producers Associations (FIAPF). FIAPF was formed back in 1933, now its content has 34 associations (including the Guild of Russian Producers) from 29 countries. Along with the "licensing" of festivals, FIAPF's area of ​​interest includes the business of the regulation and unsafe effects of work processes in the film and television industry: modernization of copyright legislation, fighting against piracy, enhancing digital technologies, standardization, work using the media, etc. Together with the issuance of FIAPF accreditation, the idea of "class A" festivals (that is, the favourite, status events) is associated, which has recently become conditional, but is still preserved inside the journalistic dictionary. It's understood that such festivals are locked in countries where you will find there's long-term cinematic tradition, have a non-specialized competition having a minimum of 12 full-length films (usually premieres and never taking part in competitions of other international film festivals) from different countries, a world jury and official support from a state level. There is a maximum of one "A" class festival in almost any given country.













Berlinale






Berlin, Germany / founded in 1951













The 1st class "A" festival inside the FIAPF calendar, starting at the begining of February, actually is concurrently just about the most significant (and the most useful inside world). The Berlinale competition is being formed to ensure an easy representation of European cinematographies. Also, it is belief that films shot inside traditional manner and flicks with political themes will be more often selected here.













Curators compose individual programs presented in the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who struggle to get into the chief competition may be contained in the less significant programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema is already shown in your competition on the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus in programs of your lower rank (recent films by Alexei Mizgirev and Anna Melikyan).













The Berlin Film Festival also hosts the extremely large European Film Market, comparable in space to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films about the market) and also a co-production market. They can't neglect the growth of young talents, inviting them to play in the projects Berlinale Residency (a three-month residence in Berlin having a scholarship of 1,500 euros for directors or screenwriters, who're helped by experts to bring projects to mind) and Berlinale Talents (short-term training programs for annually recruited teams of film school students from around the world).













Festival de Cannes






Cannes, France / founded in 1946













Cannes is among the most reputable (though not the oldest) film festival within the planet. It is quite hard to find here, but this kind of opportunity, as practice shows, always remains. An unsophisticated director, not surprisingly, should never seriously depend on getting yourself into the primary programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. As well as the above, the parallel program "Directors Fortnight", which was released by the French Guild of Film Directors in 1969, has become widely known and they often turns out to be no less interesting than the chief competition.













The respectful attitude of Cannes towards Soviet and Russian cinematic tradition is manifested at the very least in the truth that the festival website and the key documents important for filing software are translated into Russian. You don't need to go far for degrees of Russian films that received awards in Cannes: this holiday season the prize to find the best script was awarded to Andrey Zvyagintsev's Leviathan, and in 2012, Taisiya Igumentseva took the chief prize of the Cinefondation competition (since the Cannes rules need a screen full-length debut with the winner, another picture of Mrs. Igumentseva have also been shown in the festival, albeit out of competition).













By far the most prestigious festival, https://greenhornfestival.com/ (greenhornfestival.com) naturally, were able to get the largest film market. In 2014, in excess of 11,000 professionals arrived at France, representing about 5,000 companies from 116 countries. 5,200 films were presented for the film market, 960 of which had screenings (in most examples, premieres).
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